Oldboy: 2003 vs 2013

The industrial spanner does it all

I can sum up what is wrong with Spike Lee’s ‘reimagination’ of Oldboy, in one sentence:

Joe Doucet is not likeable.

I cannot feel sorry for an alcoholic, deadbeat dad who has no respect for women – or anyone else for that matter; if someone like Joe dropped out of my life suddenly I wouldn’t miss him for a moment.

Oh, you were locked up for twenty years? Diddums. You were framed for the murder of your wife? Shame it sounds more believable that you actually did it.

My hatred for the main character aside, it’s surprising how Lee can call this version a ‘reimagination’, follow the original film story pretty closely and still get it so wrong; which is a shame, because it has a good cast attached to it, with Josh Brolin, Elizabeth Olsen, Samuel L Jackson and Pom Klementieff all from the Marvel cinematic universe – and Rami Malek briefly making a scene.

So, what exactly is wrong with this version?

Let’s start with Joe’s time locked away and his transition to a modern world. Joe spirals at first, once he figures out there’s no freedom in sight he does attempt suicide, he tries to adopt a wild mouse Green Mile style, and draws a face on a pillow in his own blood; however, once free, there is no erratic behaviour, he adapts to modern technology right away, he shows he’s capable of planning and executing those plans.

‘Laugh and the world laughs with with you, cry and you weep alone’

In comparison, Dae-su displayed some psychotic behaviour; he was overly protective if his diaries, had outbursts of anger and violence, and was compulsive. A good scene to really compare the two characters is when they discover the Chinese restaurant; Joe has enough forethought to wait for the henchman to leave, follow the delivery boy and take his bike to find his captors. Dae-su, on the other hand, sees the delivery boy with a big order and chased that moped on foot; he does not second guess that the delivery could be for a large gathering, he just runs.

The dark humour is charming

Joe shows meticulous planning when facing Chaney, the manager of the holding facilities; he precisely cuts chunks out of Chaney’s neck and fills them with salt to torture him, while Dae-su took the first thing on hand – the famous hammer – and just prys out teeth!

Although both Marie and Mi-do are both very 2D characters, existing only as the love interest, Mi-do shows genuine love for Dae-su; she is an innocent girl who chooses him (albeit through hypnosis) as her ‘first’, promising him that when she’s ready she will sing his favourite song. Marie, on the other hand, simply has poor taste in men and swaps one bad habit for another; a former drug user now addicted to ‘lost causes’, Lee tries to pass off her new obsession of Joe as ‘love’ and it’s portrayed poorly.

I’m not sure what’s cringier, Adrian’s obviously fake British accent, or that he has no charm whatsoever; sure, his character may be more mentally scarred compared to Woo-jin, but he shows more erratic and impulsive behaviour for someone who planned a twenty year revenge – compared to Joe, who was the one in solitary. Woo-jin has a calm charm to him that balances Dae-su’s impulsive behaviour.

Relax, guy, take a load off

Adrian promises Joe he will kill himself, but Woo-jin promised Dae-su the instrument to his death, the chance for his own revenge; Woo-jin never planned for Dae-su to have control over his life, he only offered an incentive to solve the mystery and protect Mi-do. There is no such incentive for Joe, Marie is safe and he only has to solve the mystery to clear his own name – Dae-su never cared about clearing his own name, just Mi-do and his revenge.

The reasonings behind the antagonists revenge is similar and yet different. Peodophilla, especially in a family setting, is gross to think about and disturbing when you consider how well groomed Adrian and his sister were; however, going for this gritter version misses the point of Woo-jin’s revenge completely. Woo-jin and his sister’s incest story – although equally disturbing – was young, innocent curiosity, it was never shown that the pair slept together and Korea’s sex education system at the time may have been enough to convince Woo-jin’s sister she was pregnant without intercourse.

Woo-jin loved his sister dearly, and watched (some may argue helped) her commit suicide, it softens the blow of the incest story and makes you sympathise with Woo-jin; for Adrian, there is no softening the blow, he claimed he loved his father but did he really? His feeling are complex but obviously still twisted. What separates the end of the two antagonists is that Woo-jin wanted to join his sister once his revenge was complete, shown by his memory of him holding her off the dam before he kills himself, while Adrian just wanted to end his own, tortured, suffering.

Don’t do it!!!

Dae-su’s ending was left to interpretation. Did he find the hypnotist and wipe the truth from his memory, or did he just convince himself he did in order to live like the monster he is? Joe shows no growth on his end, he doesn’t face Marie and the truth but chooses to hide away once more, running from his responsibilities like he had done before his twenty year imprisonment, like a coward.

While I appreciate the little nods to the original film (which you would miss if you’ve never seen it), Oldboy 2013 skirts over the dark humour and characterization that made its 2003 predecessor a success. As a whole, Spike Lee missed the most important message Oldboy gave: Even though I am no more than a monster, don’t I, too, have the right to live?

The Darkest Dawn

Chloe Murdock reporting

The Darkest Dawn has a much steadier filming hand compared to its predecessor Hungerford; it’s less chaotic and more youtube blog video, which is a plus if you hate the erratic camera movement.

The Darkest Dawn centers around aspiring journalist Chloe Murdock, who receives a video camera for her sweet sixteenth; she begins capturing snippets of her everyday life, including the news reports of a freak storm in Hungerford. Not long after the initial reports, Chloe’s mum goes missing and not long after that there’s a mass evacuation of her town. The invasion from the end of Hungerford has begun, causing hysteria and a close encounter with a plane crash; the insects begin dropping from the sky, infecting Chloe’s dad and resulting in his death; Chloe and older sister, Sam, are saved by the very unstable Bob.

Bob seems to hate Chloe with every fibre of his being, despite keeping the pair safe in some underground tunnels of London, and his behaviour becomes increasingly disturbing with each new clip. After an unknown passing of days, the trio hear voices in the tunnels; Cowen, Adam and Kipper have been searching for a base in the tunnels and stumble across them. Adam and Bob immediately butt heads, but Kipper and Cowen are willing to help and share supplies.

Swapping stories

Cowen’s group are still searching for Adam’s sister Phil, who was taken by the infected in the first film, and camp with Chloe’s group for the night; however, Bob ambushes Cowen while they sleep and Adam strangles Bob protecting Cowen. Chloe and Sam join Cowen’s group, figuring it was safer with them than anywhere else; they eventually stumble across the ‘base’ they were looking for but it’s empty, aside for dying the doctor, Helen, who circles Manchester in her own blood before slipping away.

Trying to figure out where the others have gone, the group discover something called ‘Project Ascalon’ and the manifesto of members who were at the base; Phil is alive, and heading towards an evacuation point a few miles away.

The group exit the tunnels to find London destroyed. Kipper finds a boat and they head up river, hoping to catch up to the evacuation point; they make a stop at a lone house on the river bank and Cowen heads inside with Adam to look for supplies. Chloe follows shortly after and they discover an old man and his dead wife upstairs; the old man offers Adam and apple for his safety and Cowen takes Adam back onto the landing to talk in private; Cowen wants to give the apple back, but Adam argues that the old man is dead whether he has the apple or not. There’s a gunshot. Adam intentionally left his gun with the old man, saying he ‘gave him a choice’, and retrieves his gun before leaving.

Further up the river, obvious ambush is obvious when a young boy runs outside begging for help; as everyone rushes in, Adam is the only one smart enough to hang back while the others are held at gunpoint. The three men decide to keep Chloe and kill the others, but Adam shoots two of them and Chloe stabs their leader to death.

Their luck only gets worse when they are attacked by yet another crazy group, but also one of the invading ships; the boat is ruined and they group continue on foot, discovering a group of infected chasing a young woman; worried it’s Phil, Adam rushes to help. It’s not Phil, but the woman is dying and Adam ends her suffering; Adam briefly freaks and tries to kill himself, but is stopped by Cowen, convincing Adam he did a mercy kill and it was ok.

The group try to relax at night, but Sam can’t handle the lively atmosphere after watching her sister kill a man; Kipper assures her she’s doing well protecting Chloe and the group narrowly avoid another invading ship before settling down for the night. In the early morning, the camp is found by Hopper, who is the ultimate twat, and Ricky; Hopper wants to kill a few of them, but Ricky reports back to Sarge that they found the group.

At the temporary camp, Cowen meets a familiar face. Sarge is the man who led his escape from the factory and out of Hungerford; Cowen explains they’re looking for Phil and Sarge calls out ‘Pip’ – Pip is Phillipa and there’s an emotional reunion for the flatmates. In the barn, Sarge explains that he went back inside the factory and found Phil, and has been keeping her safe since; it’s clear Sarge cares for Phil like a daughter and it’s adorable!

Cowen tells them they found the tunnel base and Helen, showing them the map she’d circled. Phil tells them it’s not a circle, Helen and a team of doctors had discovered type O- blood subdues the parasite the bugs inject. Sarge won’t divulge what Ascalon is.

Sarge weeps for a lost friend

Sam warns Chloe not to tell the soldiers she’s type O-, saying it could be dangerous for her if they knew. Chloe tries to find out what is in a guarded box the soldiers are referring to as ‘Ascalon’, when an invading ship passes over and begins dropping bugs; survivors of the attack take shelter in the barn, but it’s soon apparent Phil is infected, in the panic Chloe tell the group she has the blood type they need.

Sam’s a nurse and helps with the transfusion, Phil returns to normal; Sarge explains Ascalon is a weapon they took from one of the ships they managed to take down, and the group settle down. During the night, Hopper and a few other soldiers mutiny – they kill Sarge and take Chloe for her blood along with the mysterious box; the others try to ambush them at the evacuation point, but the infection tries to take hold of Phil again and they’re caught.

Hopper throwing his small dick energy around

Hopper and his crew hold them at gunpoint, he kills Sam out of spite and takes the others to the box. Hopper states that he will use Ascalon to defeat the invasion, when a green light from the weapon throws everyone to the floor; Hopper accidentally summoned a ship and the evacuation point is under attack.

Cowen and others secure the weapon in the chaos and radio for evacuation, which will only happen if they have the weapon with them; however, Adam recognises that they won’t get far with the ship nearby and takes Ascalon to destroy it. The rest manage to get on the helicopter with the now empty box, and moments later there’s a huge explosion that wipes out the ship.

Phil gets another transfusion from Chloe and asks for Adam when she wakes. Chloe, in anger and sorrow, drop the camera from the helicopter.

The Darkest Dawn is less alien invasion and more apocalyptic survival; it’s unclear how much time has passed between the initial invasion in Hungerford and Cowen’s group finding Chloe and Sam. It seems that the UK (or at least London and its surrounding areas) have fallen into anarchy rather quickly, and that the military leaders were ready to surrender in the first days of the invasion – which I find unrealistic that they would surrender so easily. There are smoother transitions between clips and the film feels a lot less choppy than Hungerford did; Cowen and his friends have fleshed out characteristics off screen between films, more mature and obviously mentally scarred by the things they’ve seen.

While a different POV for the film is a nice change, Sam and Chloe bring little to the screen other than plot convenience in the last half hour of the film.

Also, where the hell was Jenine from the first film? Did she die? Cowen got over her quick!

3.5/5: It’s a lot smoother and well paced. However, there are some unanswered questions from Hungerford: what was the alien creature at the end of it? How quickly did it go from a small invasion to the destruction of London? Who trained Cowen and the others weapons combat? What were the web like cocoons?

Hungerford

‘…we film EVERYTHING!’…like you weren’t already?

Cowen Rosewell wakes up one day and decides to start his video project for college: Seven Days in the Life of Cowen. How exciting could seven days be around your average college student?

Well, Cowen also happens to start his project the same day a freak storm hits his hometown of Hungerford; a strange cloud cluster looms over the town hall and lightning strikes, knocking out all radio and phone signals, and causing a fire in the old factory.

Not your typical thunderstorm

Cowen continues to video the antics of himself and his flatmates: Adam, his sister Philippa (Phil) and Kipper; after a day of drinking, Adam throws up out of the window as the local Councilman falls unconscious in the street, the group go out to help but he’s already gone…leaving a small pool of blood behind.

The next morning, Jenine arrives at the flat to invite the group around to her house for a party; Adam and Phil have already embarrassed Cowen in front of her by writing ‘Cock Suka’ on his forehead while he was asleep and letting him answer the door – Cowen is initially upset, but forgives and forgets, and they all head out to the party. On the way, they pass various people acting strangely, but ignore it.

The group enjoy the party. Cowen and Jenine rekindle their feelings, having dated previously, and plan a date for the following week. After taking a pee somewhere in the garden, Cowen passes a window to see the Councilman – Jenine’s dad – smacking his head against the window repeatedly; Cowen tries to tell Adam what he just saw, but the girl next to Adam suddenly coughs up blood and collapses. Jenine accuses Adam of slipping her something and tells everyone to leave.

The next day, Cowen phones Jenine to apologise and explain what he saw her dad doing in his office; she tells him that her dad has locked himself in – kicking the keys under the door to her – and is simply just stressed out before hanging up. In the kitchen, Phil opens the door to the postman who instantly tries to choke her; Adam defends her, grabbing a knife and stabbing him, it doesn’t have any effect and he continues his attack until he’s sprayed in the face with deodorant; the postman’s face is badly burnt and drops dead in their living room. The group decides that, because Adam is on probation, they shouldn’t call the police and just dump the body in the dumpster since no one checks them.

While moving the body, Cowen notices a strange hole on the back of the postman’s neck; the next morning, he convinces Adam to take a look but he brushes it off from the glass he’d landed on; Cowen explains that the knife had no effect but deodorant did, and wants to test his theory.

I had to pause the film for a second here to follow their line of logic. They refused to get the police involved, despite video evidence of self defence, because Adam is on probation – however, Adam can risk assaulting someone with deodorant to the face over a hunch?

Dante fails to see your logic here

Luckily, the random citizen they choose just happens to be affected by the spray; Adam and Cowen chase him to the old factory where they see a group of people acting strangely. Adam slips away to have a better look, but Cowen is spotted and runs back to the flat; Adam isn’t far behind but is clearly acting different and is sprayed in the face, causing a strange insect to escape from his neck and killed by Cowen.

The group decide they should try to get out of town and Cowen wants to grab Jenine on the way; they break into the supermarket where Kipper works to grab more deodorant and are ambushed by the infected laying in wait. Safely back at the flat, and with fifteen cans of spray, Kipper plans their route to Jenine’s and they head out with weapons in tow; Jenine is hiding in her room as someone already tried to break in, and she won’t leave until they’ve sorted her dad out. They get the insect out, but it’s too late for her dad.

A mistake by Phil, on the way home, puts her in danger and Adam freaks out after rescuing her, causing a fallout between them; Jenine tells Cowen she has keys to her dad’s car that’s parked at the council office, he tells the group he plans to go at dawn but Phil sneaks out instead, wanting to make up for the mistake.

Cowen convinces Adam to stay behind to protect Jenine for him; he heads out with Kipper and they’re ambushed, only to be saved by Terry (Hungerford’s worst PC in my opinion). Terry leads them to the council office where they find Phil and Terry begins the drive back to the flat; Terry explains that people have disappeared, even his own colleagues who went to the factory, and that he had to kill his own Sargent in self defence. Up ahead, there’s a group of infected in the road and Terry flips the car while turning to avoid them.

Phil is taken by the infected from the car, Terry has died in the crash, and Kipper and Cowen arrive back at the flat to discover Adam and Jenine have been taken, too. The pair decide they should head to the factory, but have to split up then they find two children abandoned in a car; Cowen goes to the factory alone, people are locked inside a pen outside the factory and Cowen promises to help them later; deep inside the factory, he finds people wrapped in a strange web-like cocoon. Cowen is attacked by an infected, who drags him to another area where he finds Adam and Janine; in the darkness, some Ivan Ooze looking monster attacks a woman and advances on the trio, only to be shot dead by the rescue team.

Always look to the skies

The trio are led back outside by the military and reunite with Kipper. They look to the sky and see a huge spaceship overhead.

Later, looking into the camera, Cowen explains that there is an invasion and they don’t know how many insects have been released; Britain’s communication with Europe has been cut off and they didn’t find Phil. Cowen turns the camera around to a city of destruction.

I don’t like ‘found footage’ films, so I have a negative feeling about this film from the beginning; its only saving grace is that the special effects – as few as they were – are really good! The storm looks real and eerie, the postman’s burnt face looked professional and the insects are realistic. However, aside from the main five cast, the acting in places is poor and the fight choreography is terrible; two main scenes that stand out is Adam’s fight with the postman, where Adam jumps before he’s actually thrown, and the infected beating on some victims looks unconvincing.

As I stated above, there is that strange plot based logic of ‘we’re not calling the police but let’s assault some random person on a whim’, and Hungerford’s worst cop suddenly becomes rambo for five minutes.

2.5/5: Is it a bad film? No, but it’s not the most entertaining found footage film I’ve come across either. I must be good enough for some, because it has a sequel, which I will check out for the sake of curiosity.